&

Here’s what we have learned thus far:

Avatars of Babalon will mark men; that’s just how that works. Sex: a binding ritual, a shared condition or the attachment to the Goddess. Love: a contractual agreement, forever that elusive fantasy or a broken heart. Chaos and Transformation: the turning of worlds, battle wounds or a change of assets. If one is not marked by any of these, then he shall be with Fire.

She is not one to be forgotten or cast off. The Scarlet Woman’s sensory hooks are tenacious.

 

Advertisements

Parasites, auto theft, and forced restraint

The events I am about to recount all took place on his territory; I did not come Home the entire time. Many of my material possessions mentioned are not actually mine. People without names are fillers or symbols of some sort. The negativity is dense and unpleasant to trudge through, but these messages need a place.

A disjointed snippet manifests: I awake in Radar’s apartment next to him. Two of our friends had stayed the night: J&K. Upon waking, we all rise and begin to scratch ourselves. Each one comments on the small bites we see on our bodies. J is the first to remove his shirt, saying he thinks there are parasites in the bedding. Indeed, we see a handful of small black and red arachnids spill out of his shirt. We freak at the sight and all begin to remove our clothes. Before too long, the bugs become overwhelming underfoot. Heading to the front door, we stomp them into insect pancakes. Outside and mostly naked, we try to formulate a plan to get rid of as many inside as possible as they are multiplying.

Cut

I was at Radar’s apartment. What we were doing- I can’t remember. I was in my lounging clothes while he was fully dressed, obviously expecting company besides myself. Almost in unison, Lomax and Renee turn up at the door. Lomax quickly addresses Rada, and they start immediately going over plans. Renee is distraught. She comes to me with her typically neatly packed emotional totes, and I can see what a mess the contents have made. I tend to her needs as the men continue planning. Through her tear-streaked lament, I vaguely hear Radar in the background asking me about particular food at a particular place. He stands close, his eyes boring into me as I try to focus on Renee and deliver her the TLC she so sorely needs. Lomax becomes more impatient as the seconds tick away. Nudging his friend, again the inappropriately timed questions interrupt. Renee doesn’t pay attention to them, but my ears get twitchy and hot at their insensitivity. I give the universal “one minute” signal to Radar as we girls move to the kitchen. The conversation comes to a close with hugs and tissues  in a few minutes. Renee thanks me sincerely and then takes her leave.

The door closes on a quiet apartment. Radar and Lomax have vacated. I send a text asking why they refused to wait less than 10 minutes for the situation to be resolved. The response I get reads that they were hungry, and it seemed like I had no interest in that particular food at that particular place. Through the symbols on the glowing background I can feel Radar’s spite and acerbity. I do not respond. Instead, the anger and resentment welling up in me drives me to collect my things in preparation to GTFO. In my storm of packing, I come across several pieces of paper strewn on Radar’s bed. They obviously came from the ajar nightstand drawer. A good person may have piled them neatly together and placed them back in the drawer, ignoring the temptation to read the unguarded information. …but a smart person would never do such a thing. I studied the text carefully. Radar’s handwriting was less familiar to me than I would have wished. The first few stanzas of the poem spoke of affection for me, and my heart softened as my grip on my bags loosened. Tears were beginning to form as I almost scolded myself for being so rash as to run off in a huff. The next stanza revealed his insecurity and uncertainty. The third stanza chipped away at my character and exalted his own. In the final stanza, an accusation broke through as my image was cast as nothing more than a whore. I left the papers where I found them and exited the apartment, bags in hand, numb and crestfallen.

Dusty winds railed me outside in the heat of the evening summer sun. The parking lot resembled a desert, and the gas station may as well have been a halfway house. Approaching my car, I saw two women (one blonde biker and one black drag queen) hovering over my car and one (white and obese) already inside the driver’s seat. I caught that this was an attempted auto theft. My patience had long since checked out, only leaving disdain, attitude and a foolish absence of fear. I nonchalantly waved them off as if they were mere flies. “C’mon, ladies, piss off. This is my car, and, though you may be attempting to steal it, I’m here now. If you all clear out, we’ll forget this ever happened. If not, I will not hesitate to stab you in the eyes with this eyeliner.”

The two hovering ladies cleared out while donning matching looks of contrived contempt. Missing scenes. I am in the passenger seat of my car now. The obese woman is driving. It is now getting dark, and, apparently, we had been talking some. The general message of her story is that she has problems, mostly financial. Sob story blah blah blah. She needs to get somewhere to meet two of her friends- that’s why she needed a car. I decide that the easiest solution is for me to drop her off and have her “owe me one.” First we stop by Radar’s for some reason. He’s still out with Lomax, thankfully. The obese woman lights a cigarette indoors as she starts texting her friends. I tell her to take it outside as I wave the smoke out the door. In a few minutes, she has coordinates of their meeting place. I drive her to her destination, which is no more than 10 minutes away. On my ride home, a “good” feeling starts to settle in. I was a nice person.

Arriving back at Radar’s apartment, I see he has returned home alone. I entertain the thought of telling him how lucky he is that my mood has changed, but instead, we greet each other as if there was no unspoken tiff. Within seconds, our hands and mouths are all over each other. Missing scenes (unfortunately).

Cut.

I am in Radar’s bedroom, tied and bound in duct tape, in a nonsexual and potentially violent way. My face is wet, so I know I had been crying. Lomax (maybe? or someone that resembles him) is in view of the door frame. His face displays aggression as he pushes two people in the room with me. My brother and Launch, two very important people to me, fall into the room, also bound. Launch is cursing and fighting against his restraints. My brother is quietly plotting escape routes. We are all saddened by seeing each other in such a state. The scene ends here with no resolution.

 

Crosshatched

Crosshatch knees:

Then                           &                           Now

Hopscotch battle scar:                                                          Bathroom floor imprints:

Noonday sun                                                                  Fluorescent lights

Soft breezes                                                                Warm sweat

Ambient chatter & care-free laughter            Resonant moans & breathy sighs

 

Physical challenges:

Balance & speed                                                 Stamina & form

 

Calls

Cattleman Whores

Reattach Men Slow

Ancestral Wet Ohm

Settle A Charm Now

Sacrament The Owl

A Castle, Then Worm

Who Melts A Trance

Castrate Men Howl

Watchman, Else Rot

Canal Meets Worth

A Worm, Then Castle

Mothers Wet Canal

Two Carnal Themes

Mew A Harlot Scent

Wham A Recent Slot

A Camel When Trots

Transact Whole Me

Her Canal Most Wet

Won Carat Helmets

Cow Letter Shaman

A Rematch Lest Own

Worth A Male Scent

A Mental Hot Screw

Lets A Wretch Moan

Whet A Smart Clone

Saw A Trench Motel

The New Rascal Tom

Attach, Else Mr Now

He Met Worst Canal

Carnal, She Met Two

A Hot Welt; Men Scar

Cast Her A New Molt

 

 

 

 

In the Cabin…

The night was a haze of visions.

A majority of my memories centers around a cabin in the woods. In one storyline, it was the setting of a romantic assignation. Up in the loft, I rolled between milk-white sheets in the sparkling rays of the morning sun. He had already left the bed. I inhaled his scent and savored the lingering sex in the air. My body was like a sponge for the delicious indulgence of pure sensation. Every touch was a secret luxury. When he returned upstairs, the light danced off of him like fire-water. Each ripple of his perfectly cut body was accentuated; the way his skin shone caused my eyes to retreat back beneath my eyelids every now and again. Sadly, I cannot remember his face, but every fiber of me knows him, my Lover, as The Morning Star.

At the next flicker, the cabin has changed, as the inhabitants have as well. I’m a little girl, no more than ten years old. I see a tall man lumbering through the cabin in a state of dismay. He is not my father. I hold my doll tightly to my chest as I watch him pace in front of the roaring fire. The walls reflect red flames woven between menacing shadows. I am silent.

The scene shifts yet again. Where my doll was a second ago there is now a suitcase of sorts. The pacing older man has become a sly devil of a charmer. His eyes undress me as he places my bag on the chair nearby. The wolf’s tail, poking out from underneath his unbuttoned, oversized, collared shirt, flicks with pleasure as he lunges in to taste my neck. My hand reaches up the back of his head, tugging at his hair and caressing his pointed ears. Between my fingers there’s fur or skin as one transitions into the other and back again.

The red walls seem to close in on me, and I can see the monsters that have emerged from the shadows. They stand beside me and behind me with their hands on my shoulders, acting as caretakers. The door slams behind the pacing man as he storms out into the night. I am left with the monsters… that dry my tears with their large, scaly fingers. Sharp nails run gently through my pigtails as I hear attempts at soothing tones through rough throats and guttural voices. I am offered a seat on the lap of a 15 ft tall, black and green, bipedal reptile with large brown scales running down his head and back of the neck like Mohawk dorsal fins. Once in his lap, he rocks me to sleep in front of the fire.

The same cabin is now a mess of clothes, empty boxes and overturned furniture. Investigating each room, a story assembles in my head. There are two children’s rooms, a master bedroom, a den and kitchen; this was a family’s house. A young girl left many stuffed animals behind in her hot pink room. A young boy didn’t manage to grab his action figures before the family hurried out. What happened to them all? I can only see speculations in my head. The only obvious details are a struggle, a hasty escape, and the unlikelihood of return. But then, I hear the door. There stands the disheveled mother with both her ragged children.

Our tryst is cut short by the sounds he hears in the distance. “Sorry, Love, I’ve got to go,” he says as he pulls his pants on while still eyeing me hungrily. “What is it?” I ask as I sit up. He nips at my lips, and I feel a cold nose on my cheek for a second. “Stolen car. They’re after me.” The Wolf peeks at me from behind the Thief’s skin. He throws on his green jacket and tosses me a key before he opens the front door. A paw sweeps me off the bed forcefully and pulls me into his body. Our faces collide in unchecked hunger; one more deep taste before he’s off. “Meet me again,” he growls as he motions to the key.